University of North Texas 
Faculty and Student Presentations
Faculty and Student Presentations
Upcoming Presentations
Recent Presentations
| Speaker | Title | Year |
| Barbara Dietlinger, Nancy Murphy | “I Only Want My Scotch: Cultural Translation and Flexible Meter in Hermann Leopoldi’s ‘I’m Just a Quiet Drinker’.” Annual Conference of the Society for American Music, Richmond, VA | 2026 |
| Benjamin Graf | "Defying Gravity: Motive, Magic, and Metaphor" at the Texas Society for Music Theory and the Austin College lecture series | 2026 |
| Rebecca Dowd Geoffroy-Schwinden | “Music and Eighteenth-Century Consumer Culture,” International Workshop on Cultures of Consumption 1500–1800, University of Ghent, Ghent, Belgium, January 15–17, 2026 | 2026 |
| Barbara Dietlinger | “The Quiet After the Cannons: Sounds of Peace After the Thirty Years’ War.” Joint Meeting of the American Musicological Society and the Society for Music Theory, Minneapolis, MN | 2025 |
| Andrew J. Chung | "Clogged Ears, Undemocratic Times," Joint Meeting of the American Musicological Society and the Society for Music Theory, Minneapolis, MN | 2025 |
| Diego Cubero | “Picking up the Pieces: Fragmentary Themes in Late Beethoven,” Joint Meeting of the American Musicological Society and the Society for Music Theory, Minneapolis, MN | 2025 |
| Justin Lavacek | “Machaut's Monophonic Lais,” Joint Meeting of the American Musicological Society and the Society for Music Theory, Minneapolis, MN | 2025 |
| Emma Wimberg | “Contending with Hegelian Dialectics in Sigfrid Karg-Elert’s Organ Works.” Joint Meeting of the American Musicological Society and the Society for Music Theory, Minneapolis, MN, Annual Meeting | 2025 |
| Rebecca Dowd Geoffroy-Schwinden | “Gunpowder, Industrial Capitalism, and Tata at the Piano,” The Power of Energy, Hagley Center for the History of Business, Technology, and Society, October 31, 2025. | 2025 |
| Rebecca Dowd Geoffroy-Schwinden | « Les enfants à travers les règlements de concert », AcadéC Colloque Conclusif, Centre de musique baroque de Versailles, Versailles, France, November 6, 2025. | 2025 |
| Emma Wimberg | “The Changing Function of a Choctaw Hymn: Closing Conference, Close of Worship, and Farewell.” Annual meeting of the Society for Ethnomusicology, Atlanta, GA, October 23 | 2025 |
| Barbara Dietlinger | “Sounding Peace: Acoustic Practices and Resonant Memory after the Thirty Years’ War.” Thinking About Music Lecture Series, College-Conservatory of Music, University of Cincinnati | 2025 |
| Barbara Dietlinger | “Media Wars and Musical Mockery: Religious Polemics in Early Modern German Song.” Colloquium, University of Southern Mississippi, Hattiesburg, MS | 2025 |
| Barbara Dietlinger | “Memory Friction and Musical Mockery: Catholic Contrafacts in Response to the 1617 Reformation Jubilee.” Annual University Research Day Poster Session, University of North Texas, Denton, TX | 2025 |
| Barbara Dietlinger | “From Martial Noise to Civic Sound: The Sonic Transition after the Thirty Years’ War.” Fall Meeting of the Southwest Chapter of the American Musicological Society, online | 2025 |
| Barbara Dietlinger | “‘Concio et Cantio’: Intertextuality and Confessional Tensions in the 1617 Reformation Centenary.” Annual Meeting of the Renaissance Society of America, Boston, MA | 2025 |
| Benjamin Graf | "Taking flight with E.T: maximizing emotional response in film cues" at TSMT and Music and the Moving Image conference, New York, NY | 2025 |
| Cathy Ragland | “Accordion Tuners as Auditory Culture Mediators: Decolonizing Sound in the South Texas-Mexico border” and class lecture on Tejano music, Baylor University, Lyceum Lecture Series, School of Music, Waco, TX. | 2025 |
| Cathy Ragland | Panel chair/discussant, "Bridging two worlds: the harpsichord’s influence on piano sound and technique in children's music education and historically informed performance," 12th Intl. Animusic Scientific Meeting for Sound, Music and Musical Instrument Studies, Escola Profissional das Artes, Madiera, Portugal, July 16-23, 2025. | 2025 |
| Rebecca Dowd Geoffroy-Schwinden | « Musique et américanité à Nantes au XVIIIe siècle », Aux sources de la vie musicale et théâtrale à Nantes aux XVIIIè et XIXXè siècles, Nantes, France, March 28, 2025. | 2025 |
| Emma Wimberg | "The Organ Stop Cat: Twentieth-Century Composer Connections in the work of Jean Langlais” online symposium, November 28 | 2025 |