"'It's Against Nature': Cadential Straight Lines in the Music of Carl Ruggles." Music Now Series, University of North Texas, Denton, March 10, 2002.
"Thoughts on Schenkerian Analytic Process." THE Lecture Series, Division of Music History, Theory, and Ethnomusicology, University of North Texas, Denton, March 5, 2002.
"Voice Exchange in Ruggles." South Central Society for Music Theory annual meeting, Baton Rouge, February 22-23, 2002.
"Fifths and Semitones: A Ruggles Compositional Model and its Unfoldings." Music Theory Society of New York State annual meeting, New York University, April 9, 2000; also at the Georgia Association of Music Theorists, Georgia State University, April 24, 1999; and at South Central Society for Music Theory annual meeting, Vanderbilt University, Nashville, March 13, 1999.
"‘It’s Against Nature’: Straight Lines, Sequences, and Whole Tone Collections in the Music of Carl Ruggles." Society for Music Theory National Convention, Phoenix, Arizona, November 2,1997; also at New England Conference of Music Theorists, Yale University, New Haven, April 6, 1997.
"Modeling Pitch Relations in the Music of Carl Ruggles: Voice-Leading Implications." Music Theory Society of New York State, New York City, October 10, 1993.
"Some Aspects of Traditional Cape Breton Fiddling." Sonneck Society, Toronto, April 22, 1990 and Society for Ethnomusicology, Niagara Chapter, Cleveland, April 28, 1989.
Last Updated: 06.06.2007 @ 21:57
Comments, suggestions or corrections for this site: dschwarz@music.unt.edu
XHTML | CSS | section 508