Composition Faculty & Staff

Faculty News

  • On 27 April 2014, Mivos quartet will perform Panayiotis Kokoras' Holophony for string quartet during the Northwestern University New Music Conference (NUNC!) Panayiotis will also give a presentation titled "Ensemble Holophony Project: Perspectives on Instrumental Sound-based Composition."

  • Panayiotis Kokoras has been commissioned by Festival Mixtur to compose a piece for clarinet, piano, violin and cello. Ensemble Taller Sonoro will perform the piece on 25 April 2014 in Barcelona, Spain. Panayiotis will also coach a student’s composition workshop and give a short presentation on his piece.

  • Eleven UNT-affiliated composers were selected to participate in the SEAMUS 2014 Conference at Wesleyan University in Middletown, CT, 27-29 March 2014: faculty composer Jon Nelson; student composers Stephen Lucas, Mark Oliveiro, Clay Allen, and Jen Hill; alumni composers Paul Thomas, Greg Dixon, Eli Fieldsteel, Chapman Welch, and Peter McCulloch; and former faculty composer Butch Rovan.

  • Joseph Klein's interstices, a work for flute, saxophone, and percussion commissioned by saxophonist Gregory Dewhirst and Tarrant County College, will be premiered at the North American Saxophone Alliance Conference at the University of Illinois in March 2014.

  • Improbable Encounters, a collection of works by faculty composer Joseph Klein, will be released on the innova label on 28 January 2014. The 2-disc album (CD and DVD) includes solo, chamber, and intermedia works composed over the past 30 years, and features performances by UNT faculty members Elizabeth McNutt, Eric Nestler, Christopher Deane, and Felix Olschofka.

  • NoiseFold (transdisciplinary artists David Stout and Cory Metcalf) has been awarded a commission from the Ammerman Center 14th Biennial Art & Technology Symposium at Connecticut College, which takes place in January 2014.

  • Panayiotis Kokoras, Assistant Professor of Composition Studies, has been awarded second prize (first prize not awarded) at the prestigious Kazimierz Serocki 13th International Composers’ Competition 2013 for his composition Susurrus for piano, violin and cello. The prize consists of $2500 US and a concert of the winners, co-organized with the Polish Radio Channel 2, will take place on the 28 November 2013 in Lutoslawski Polish Radio Concert Hall in Warsaw.

  • Faculty composer Panayiotis Kokoras and alumnus Joshua Harris (PhD 2013) were two of the nineteen composers selected for the juried recording project, SEAMUS Electroacoustic Miniatures 2013: Negative Space.

  • T-totum for snaredrum and tape, by faculty composer Panayiotis Kokoras has been awared third prize at the 2013 Percussive Arts Society 40th Annual Percussion Composition Contest, Category II: Concert-Style Snare Drum Solo with CD. Prize winning works in each category will be considered for performances at a future Percussive Arts Society International Convention (PASIC) or other PAS-sponsored event.

  • Eleven UNT-affiliated composers were selected to participate in the SEAMUS 2013 Conference at McNally Smith College in St. Paul, MN, 18-20 April 2013: faculty composers Panayiotis Kokoras and Jon Christopher Nelson; doctoral composer Mark Oliveiro; alumni composers Jon Anderson, Greg Dixon, Eli Fieldsteel, Dave Gedosh, Elainie Lillios, and L. Scott Price; and former faculty composer Butch Rovan. Also participating in the conference was faculty flutist Elizabeth McNutt.

  • Faculty composer Panayiotis Kokoras won the 15th International Composition Competition Franco Evangelisti 2012 (Rome) for his work Shatter Cone for amplified violin and electronics. The composition has been selected for the final round and will be performed by violinist Giuseppe Crosta; the prize includes publication of the score by Edizioni Suvini Zerboni, a cash prize, and broadcast by Rai Radio3.

  • Faculty composer Jon Christopher Nelson was awarded the International Computer Music Association's 2012 America's Region Award at the International Computer Music Conference in Ljubljana, Slovenia in September 2012. This recognition is provided by an international jury that evaluates more than 500 conference composition submissions from around the world in a double-blind, two-tiered adjudication process. The international jury provides one award for the highest ranked composition in each of three international regions: The Americas, Europe, and Asia/Pacific regions. Nelson's composition, Turbulent Blue, was the highest ranked composition from the Americas region, and is featured on the conference CD.