Terri Sundberg is Professor of Flute at the University of North Texas College of Music and a member of the Crested Butte Opera Orchestra and Crested Butte Festival Symphony Orchestra. She has been a featured concerto soloist at the Jeju International Music Festival in Korea, recipient of a State Department grant for recent performing and teaching in China and has performed extensively in New York City as soloist, chamber and orchestral musician, including performances at Lincoln Center/Alice Tully Hall, Merkin Concert Hall and Carnegie Hall. She is a former member of the North Coast Cham
John Scott is Professor of Music in Clarinet at the University of North Texas. Mr. Scott was a member of the Richardson Symphony Orchestra (1987-2011), and has performed with such orchestras as the Dallas Symphony and the Ft. Worth Symphony, and as a recitalist and clinician throughout the United States.
James Scott's musical career embraces over four decades of accomplishments as a performing musician, a teacher, and an administrator. He began his distinguished professional career while still a first-year student at Emory University, winning a position as flutist in the Atlanta Symphony at a time that made him one of the youngest musicians in the history of the orchestra.
Deborah Fabian joined the Clarinet faculty at the University of North Texas in the fall of 1990. She is Concertmaster of the Dallas Wind Symphony, Principal Clarinetist of the Plano Symphony Orchestra and second clarinetist with the “Music in the Mountains Festival Orchestra” in Durango Colorado.
Ms. Fabian has been featured as a soloist with many ensembles including the Dallas Wind Symphony, Texas Chamber Orchestra and Plano Symphony Orchestra.
James Ryon has appeared internationally as recitalist and soloist. Recent performances include the Bach D Minor Concerto with the Southern Illinois Music Festival, the Strauss Oboe Concerto with the Orchestra Sinfonica Brasileira and both the Strauss Concerto and the Telemann Concerto for Oboe d'Amore with the UANL Chamber Orchestra in Monterrey, Mexico. In 2011 he was appointed Professor of Oboe at the University of North Texas College of Music and he continues to serve as the Principal Oboist of the Baton Rouge Symphony.
Kathleen Reynolds joined the College of Music at the University of North Texas as Professor of Bassoon and Woodwind Chamber Music Coordinator in the fall of 1995. She is principal bassoonist of the Dallas Opera Orchestra and performs regularly with the Dallas Symphony, Fort Worth Symphony, and Chamber Music International. EcoClassics recorded her solo bassoon CD, Gems for Bassoon, with pianist Michele Levin and clarinetist Mitchell Lurie.
Eric Nestler has been on the faculty of the University of North Texas College of Music since 1992. He is currently Professor of Music and formerly chaired the Doctor of Musical Arts degree committee. Nestler has served as a member of the summer music faculty of the University of New Brunswick in Fredericton, New Brunswick, Canada and has taught on the faculty of Vincennes University, IN. Mr. Nestler presented his New York debut recital at Weill Recital Hall at Carnegie Hall in May 2003 and continues to be an active recitalist and clinician throughout the United States and abroad.
Kathryn Montoya earned her degrees at Oberlin Conservatory and Indiana University School of Music, Bloomington. Ms. Montoya has performed with many ensembles, including the Boston Early Music Festival Orchestra, Ensemble Arion, the Cleveland Orchestra, Tafelmusik, Chicago Opera Theatre, Aradia Ensemble, Portland Baroque Orchestra, Musica Angelica, Apollo's Fire, Montreal, Washington Bach Consort, and Wiener Akadamie (Austria).
Virtuoso flutist Elizabeth McNutt discovered her passion for new and adventurous music almost as soon as she began playing. She has dedicated herself to this path, commissioning and premiering countless new works and becoming an expert interpreter of the masterpieces of the last century. Besides her ongoing collaborations with young and upcoming composers, “commanding flutist Elizabeth McNutt” (LA Times) has worked with such recognized figures as Pierre Boulez, Brian Ferneyhough, Harvey Sollberger, Cort Lippe, Philippe Manoury, Russell Pinkston, Roger Reynolds, Joji Yuasa, and Joan Tower.
“His solos are sparkling and Cannonball Adderley influenced" (Evening Standard, London). “Saxophonist Brad Leali was among the most soulful and exciting I’ve heard recently” (New York Times). With a unique style and sound, which echoes the influences of his past, Brad Leali is one of the most notable saxophonists of current times. A native of Denver, Colorado, Brad was raised in the Baptist Church.