Strings

Maria Schleuning

MARIA SCHLEUNING, violinist, has been a member of the Voices of Change Modern Music Ensemble since 1996 and Artistic Director since 2009. An advocate of new music, she has worked with many of the leading composers of our day, including the legendary Witold Lutoslawski, George Crumb, Aaron Kernis, John Corigliano, Augusta Read Thomas, Sebastian Currier, Bright Sheng, Samuel Adler, Donald Erb, David Dzubay, and Pierre Jalbert. She has premiered many new works, including “Dream Catcher”, a solo violin work written especially for her as a gift by Augusta read Thomas.

Eunice Keem

Violinist Eunice Keem has established herself as a dynamic and engaging artist, equally compelling as both soloist and chamber musician. A Chicago native, she attended Carnegie Mellon University for her music studies. After joining the Dallas Symphony Orchestra in September of 2011, she began her new position as Associate Concertmaster in the 2014/15 season.

Gudrun Raschen

Gudrun Raschen has extensive solo, orchestral and chamber music experience on both double bass and cello. She has given concerts in the United States, Brazil, Mexico, Bolivia, Poland, Finland, Italy, Germany, Vietnam, South Africa and Namibia.

Elizabeth Chappell

Elizabeth Chappell taught orchestra for seventeen years in the Austin Independent School District in Austin, Texas. Twelve of those years were in Title One programs and this experience sparked one of her research interests, equity of access to music education in urban public schools. Dr.

Lynn Seaton

Lynn was born in Tulsa, Oklahoma, July 18, 1957. He began studying classical guitar at age seven, switching to string bass at age nine. While studying music at the University of Oklahoma, he began working the clubs around the state.

In September of 1980, Lynn relocated to Cincinnati, Ohio to join the Steve Schmidt Trio and the Blue Wisp Big Band. He was awarded a Jazz Studies Fellowship in the summer of 1981 from the National Endowment for the Arts to study with Rufus Reid.

Allen Whear

Allen Whear is Associate Principal Cellist of Tafelmusik Baroque Orchestra and Artistic Director of Pro Musica Rara, Baltimore, Maryland's premier early music ensemble. He is Principal Cellist and Recital Director of the Carmel Bach Festival in California. A graduate of the New England Conservatory and the Juilliard School, he was the recipient of an ITT International Fellowship and studied with Anner Bylsma in Amsterdam and holds a doctorate from Rutgers University.

Nikola Ruzevic

A native of Croatia, Nikola Nino Ruzevic has performed in many countries around the world where he has received critical acclaim for his artistry. The Los Angeles Times writes about his playing: "... thrilling intensity and apprehensible projection", " ... compelling narrative skills and imaginative coloring. Each piece told a story the listener could immerse in."

Cynthia Roberts

Cynthia Roberts is one of America's leading baroque violinists and has appeared as soloist, leader, and recitalist throughout North America, Europe, and Asia. She has served as concertmaster of the New York Collegium, Apollo's Fire, Concert Royal, and Les Arts Florissants. She performs regularly with the Boston Early Music Festival, Tafelmusik, and the American Bach Soloists. She has appeared with the London Classical Players, Taverner Players, Clarion Music Society, and Smithsonian Chamber Players.

Eugene Osadchy

Cellist Eugene Osadchy is hailed for having "the most refined and balanced string playing" by the New York Times and has been called "a paragon of Russian élan" by the Vancouver Sun. Newsday writes he is "a soloist with a clearly defined musical personality" and is noted for his "extraordinary playing" by the Dallas Morning News. "Mr. Osadchy possesses a very rich tone and is steeped in the great classical tradition. It is good to know that there are ardent keepers of the flame", wrote the New York Sun.

Felix Olschofka

German-born and raised violinist, Dr. Felix Olschofka, has toured as a soloist, concertmaster, and chamber musician throughout Europe, Asia, North America, and South America. His playing has been described as "violinistic pyrotechnics" (TheaterJones Dallas), "charged with beauty" (Gramophone), "a true dream of romantic melodiousness" (General-Anzeiger-Bonn), and "remarkable for dramatic power" (Star-Telegram Fort Worth).

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