Article Index
Index of articles and reviews published in THEORIA vol. 1-10
Vol. 1 (1985)
Articles
- Willaim E. Caplin Hugo Riemann’s Theory of “Dynamic Shading”: A Theory of Musical Meter?
- Floyd K. Grave Metrical Displacement and the Compound Measure in Eighteenth-Century Theory and Practic
- Russell E. Murray, Jr. The Influence of the Cantus Firmus on Modal Structure in the Masses of Antoine Brumel
- Mindy D. Horowitz Modulation and the Tonoi according to Aristides Quintilianus
- Daniel Werts The Musical Circle of Johannes Mattheson
- Mark McCune Hugo Riemann’s “Ueber Tonalität”: A Translation
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Vol. 2 (1987)
Articles
- David Lewin Concerning the Inspired Revelation of F.-J. Fétis
- P. Murray Dineen Schoenberg’s Concept of Neutralization
- Jane Piper Clendinning Zarlino and the Helicon of Ptolemy: A Translation with Commentary of Book III, Chapter III of Gioseffo Zarlino’s Sopplimenti Musicali
- Elizabeth West Marvin Tonpsychologie and Musikpsychologie: Historical Perspectives on the Study of Music Perception
- Richard Devore Nineteenth-Century Harmonic Dualism in the United States
Review
- W.T. Atcherson Handwörterbuch der musikalischen Terminologie
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Vol. 3 (1988)
Articles
- Kevin Korsyn Schenker and Kantian Epistemology
- Harald Krebs Schenker’s Changing View of Rameau: A Comparison of Remarks in Harmony, Counterpoint, and “Rameau of Beethoven?”
- William Renwick Brackets and Beams in Schenker’s Graphic Notation
Translations
- William Pastille The Spirit of Music Technique
- Wayne Petty Haydn: Sonata in E-flat Major
Review
- William Pastille Strict Counterpoint and Free Composition: Review/ Essay on the Rothgeb/Thym translation of Schenker’s Kontrapunkt
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Vol. 4 (1989)
Articles
- Benito Rivera Zarlino’s Approach to Counterpoint Modified and Transmitted by Seth Calvisius
- Lee Rothfarb Ernst Kurth’s Die Voraussetzungen der theoretischen Harmonik and the Beginnings of Music Psychology
- David Bernstein Georg Capellen on Tristan und Isolde: Analytical Systems in Conflict at the Turn of the Twentieth Century
- Jim Levy Joseph Amiot and Enlightenment Speculation of the Origin of Pythagorean Tuning in China
- Roger Graybill Sonata Form and Reicha’s Grande Coupe Binaire of 1814
- Mary C. Tilton The Influence of Psalm Tone and Mode on the Structure of the Phrygian Toccatas of Claudio Merulo
Review
- Paul A. Laprade Treatise on Harpsichord Tuning by Jean Denis, translated by Vincent J. Panetta
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Vol. 5 (1990-1991)
Articles
- Richard Semmens Sauveur and the Absolute Frequency of Pitch
- Timothy A. Johnson Solmization in English Treatises Around the Turn of the Seventeenth Century: A Break from Modal Theory
- Norman L. Wick An Historical Approach to Six-Four Chords
- Janna Saslaw Gottfried Weber and Multiple Meaning
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Vol. 6 (1992)
Articles
- Ian Bent History of Music Theory: Margin or Center?
- David Bernstein Schoenberg Contra Riemann: Stufen, Regions, Verwandtschaft, and the Theory of Tonal Function
- Dave Headlam Fritz Heinrich Klein's “Die Grenze der Halbtonwelt” and Die Maschine.
- Robert Snarrenberg Schenker’s Sense of Concealment
- Luann R. Dragone François Campion’s Treatise on Accompaniment: A Translation and Commentary
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Vol. 7 (1993)
Articles
- David E. Cohen Metaphysics, Ideology, Discipline: Consonance, Dissonance, and the Foundations of Western Polyphony
- Joel Lester Composition Made Easy: Bontempi’s Nova methodus of 1660
- Denis Collins Zarlino and Berardi as Teachers of Canon
- Graham H. Phipps The “Nature of Things” and the Evolution of Nineteenth-Century Musical Style: An Essay on Carl Dahlhaus’s Studies on the Origin of Harmonic Tonality
Review
- Jane Piper Clendinning Composition Theory in the Eighteenth Century by Joel Lester
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Vol. 8 (1994)
Articles
- Robert N. Freeman Johann Georg Albrechtsberger’s 26 canoni aperti dei varii autori: The Edition
- Denis Collins Canon and Music Pedagogy 1500-1800
- Sandra Pinegar On Rhythmic Modes
- Charlotte M. Cross Schoenberg’s Earliest Thoughts on the Theory of Composition: A Fragment from c. 1900
Review
- Janna Saslaw Music Theory and the Exploration of the Past
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Vol. 9 (2001)
Articles
- Mark J. Butler De Grammatica et Musica: Grammatical Analogies in Medieval Music Treatises and Their Applications in Gregorian Chant
- Allen Scott Bobization and Bebization: Two Alternative Solmization Systems of the Early Seventeenth Century
- Paul Murphy Thoroughbass Accompaniment in the Rigorous Spanish Style and the Italian Style: José de Torres’s Reglas generals (1702, 1736)
- Joe Brumbeloe Implication of Modulation for Temporal Organization in Selected Eighteenth-Century Theoretical Sources
Reviews
- Karl Braunschweig Review of Dietrich Bartel’s Musica Poetica
- Mark McFarland Review of Jonathan Cross’s The Stravinsky Legacy
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Vol. 10 (2003)
Articles
- Gene J. Cho Quest and the Discovery of the Equal Temperament
- Russell E Murray The Theorist as Critical Listener: Pietro Pontio's Nine Cause di Varietà
- Klaus-Jürgen Sachs Index to the Treatises of Pietro Pontio
- Matthew Riley Ernst Kurth's Bach: Musical Linearity and Expressionist Aesthetics
Review
- Ralph Lorenz Review of Schubert's Modal Counterpoint
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Vol. 11 (2004) Current Issue
Articles
- Timothy McKinney “Affectus mire hercules ubique expressit” Heinrich Glarean on Text and Tone in Josquin’s Planxit autem
- David Deborah Burton Padre Martini's Preface to his Esemplare, Part II: An Original Translation
- Kheng Keow Koay A Reflection of Moment Form in Sofia Gubaidulina’s String Quartet No. 3
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