Division of Music History, Theory, and Ethnomusicology
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Music History
Music Theory
Ethnomusicology
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GAMuT
Harmonia
Theoria
Thesis and Dissertation Proposal Guidelines
Center for Schenkerian Studies
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Doctoral Seminars
Past doctoral and graduate seimnars have included the following:
MUMH 5200 "Genre and Cultural Practice"
MUMH 5200 "Reception History: Interpreting Responses of Critics, Composers, and Audiences"
MUMH 5200 "Ritual and Alienation, Two Themes in the Music of Stravinsky and Its Reception"
MUMH 5711 Mahler’s Vienna, Adorno's Mahler
MUMH 6020 "Plainsong, Liturgy, and Ritual in the Italian Middle Ages"
MUMH 6080 "Finding Meaning in Mixed Sonorities: Chamber Music with Piano from Mozart to Ligeti"
MUMH 6160 "Alban Berg and Viennese Culture"
MUMH 6160 "Issues of Genre in the Music of Johannes Brahms"
MUMH 6760 "The Romantic Song Cycle"
MUMH 6770 "Concert Music and Ritual in the Twentieth Century: Stravinsky, Birtwistle, and Britten"
MUMH 6770 "New Types of Opera in the Twentieth Century"
MUMH 6770 "Vienna, 1889–1911: Music and Culture at the Turn of the Twentieth Century"
MUTH 6680 "Atonal Voice-Leading"
MUTH 6680 "Dallapiccola: Self-Trained Serial Composer"
MUTH 6680 "Fugue, Canon and Chorale Prelude"
MUTH 6680 "Modernism versus Neo-Romanticism in Symphonic Music 1900-1933"
MUTH 6680 "Music and Semiotics"
MUTH 6680 "Satz and Ton in the Instrumental Music of Robert Schumann"
MUTH 6680 "Schenkerian Rhythm"
MUTH 6680 "Setting the Word: Composing Motets in the 16th-Century Style"
MUTH 6680 "The Analysis of New Music"
MUTH 6680 "The Symphony in the Twentieth Century--a Review"
MUTH 6680 "Webern's Creative Process"
MUTH 6680 – Serialism in Discourse
MUMH 5200 "Genre and Cultural Practice" ›