Theoria

HISTORICAL ASPECTS OF MUSIC THEORY
Theoria

HISTORICAL ASPECTS OF MUSIC THEORY

Editor: Frank Heidlberger, Professor of Music Theory at the University of North Texas
Publisher: The University of North Texas Press

Theoria is a peer-reviewed journal on all aspects of history in music theory. This includes critical articles representing the current stage of research, and edi­tions of newly discovered or mostly unknown theore­tical texts with translation and commen­tary. Analytical articles on recent or unknown repertory and methods are also published, as well as review articles on recent secondary literature and textbooks.

COMING SOON: Theoria, Vol. 16 (2009), to be released in June. $ 22 per copy
Order at: www.tamu.edu./upress

Content:
*James MacKay, Into the Composer’s Workshop: Pre-Compositional Planning and Contrapuntal Design in William Byrd’s Imitative Points
*Kenneth Smith, Sébastien de Brossard’s Entry for Cadenza in the Manuscript Draft of His Dictionnaire, F-Pn n.a.f. 5269, ff. 88r – 91r:
*Ildar Khannanov, Revisiting Russian Music Theory: Victor Bobrovsky’s Functional Foundations of Musical Form
*Timothy McKinney, Errata in the article "Affectus mire hercules ubique expressit: Heinrich Glarean on Text and Tone in Josquin’s Planxit autem David”

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