Theoria
HISTORICAL ASPECTS OF MUSIC THEORY
Editor: Frank Heidlberger, Professor of Music Theory at the University of North Texas
Publisher: The University of North Texas Press
Theoria is a peer-reviewed journal on all aspects of history in music theory. This includes critical articles representing the current stage of research, and editions of newly discovered or mostly unknown theoretical texts with translation and commentary. Analytical articles on recent or unknown repertory and methods are also published, as well as review articles on recent secondary literature and textbooks.
COMING UP SOON: Theoria, Vol. 18 (2011), $ 22 per copy
Order at: www.tamu.edu./upress
Contents:
Felix Diergarten, Romantic Thoroughbass. Music Theory between Improvisation, Composition and Performance.
Christine Amos Linial, Milhaud’s Compositional Techniques and the 1920s Polytonality Debate.
Irna Priore, Theories of Histories of Serialism: Terminology, Aesthetics, and Practice in Post-War Europe –
as Viewed by Luciano Berio.
Richard Hermann, Early Serialisms in the US: Aspects of Theory, History, Analysis and Reception.
Bruce Quaglia, Intertextual Relationships in Wuorinen and Stravinsky.
Robert Morris, Response to Hermann, Priore, and Quaglia.
Inessa Bazayev, Review of Kahan’s In Search of New Scales.
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Call for Articles and Guidelines for Authors
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